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THE NORTHUMBRIAN BURN: A BLOG ABOUT BURNING THINGS (THE LEGAL KIND)

 

Welcome to my little corner of the internet, where I set fire to things and call it art.

SO, WHAT’S ALL THIS THEN?

Right, let’s get one thing straight from the off – when I say “The Northumbrian Burn,” I’m not talking about that dodgy curry you had last Saturday night, nor am I referring to the state of your thighs after attempting a fell walk in new boots.

I’m talking about pyrography. The ancient art of burning designs into wood. Except I do it on bamboo chopping boards, because I’m fancy like that.

Started on the 30th October 2025 with nowt but a Facebook page and a dream (and some pyrography equipment that cost more than I’d like to admit), The Northumbrian Burn is all about creating unique, hand-burned bamboo boards in the traditional way. No lasers. No shortcuts. Just me, a heat source, 🔥 hours of patience, and the occasional singed fingertip.

WHAT WE’RE ABOUT

Honest Craft Everything is hand-burned. Every single line, every detail, every wonky bit that makes each board absolutely one-of-a-kind. If you want perfect uniformity, go buy something from a factory. If you want something with soul, character, and the occasional battle scar, you’re in the right place.

Sustainable Materials Bamboo isn’t just bonnie to look at – it’s brilliant for the planet. It grows faster than my to-do list, regenerates naturally, and is naturally antibacterial. Win, win, win. Plus, it’s kinder to your knife blades than traditional hardwoods, which your fancy Japanese chef’s knife will thank you for.

Organic Packaging None of that plastic bubble wrap nonsense here. Your board arrives wrapped in materials that won’t still be knocking about in a landfill when your great-great-grandchildren are having their tea. We keep it simple, sustainable, and honest – just like the boards themselves.

Slow Craft In a world obsessed with fast everything, I’m deliberately slow. Each board takes hours. Sometimes days if I’m being particularly fussy (which is always). You can’t rush art, and you definitely can’t rush burning intricate highland cow fur without it looking like a dog’s breakfast.

Proper Northumbrian Handcrafted right here in Hallington, Northumberland. Not outsourced, not mass-produced, not made by someone called Trevor in a warehouse in Slough (no offence to Trevor or Slough). Just me, in the North East, keeping traditional craft alive one burn at a time.

WHAT WE’RE NOT ABOUT

Lasers Look, I’ve got nothing against lasers. They’re great for eye surgery and cat toys. But for pyrography? Nah. There’s no soul in it. No artist’s hand. No happy accidents that turn into features. Just cold, precise, identical copies. Where’s the fun in that?

Mass Production If you want something churned out by the thousand, Amazon’s that way → Each board I make is individual. Unique. A bit different from the last. That’s not a bug, it’s a feature.

Perfection Controversial opinion: perfection is boring. Those little variations, the slightly deeper burn here, the organic flow of a line there – that’s what makes handmade special. If you’re the type who measures the gap between sofa cushions with a ruler, we might not be for you. But if you appreciate the beauty in imperfection, welcome home.

Taking Ourselves Too Seriously Yes, it’s art. Yes, it’s craft. Yes, it takes skill and patience. But it’s also chopping boards with highland cows wearing flower crowns and Northumbrian sayings about bait. Let’s not get too precious about it, eh?

THE PROCESS (OR: HOW I SPEND MY DAYS PLAYING WITH FIRE)

  1. Choose the design – Could be a majestic octopus, a daft kitchen saying, or an abstract face that would make Picasso proud.
  2. Prep the bamboo – Make sure it’s smooth, clean, and ready for its transformation.
  3. Burn, baby, burn – This is where the magic happens. Hours of careful burning, creating depth, texture, and detail with nothing but heat and a steady hand (and several cups of tea).
  4. Let it cool – Bamboo gets HOT. Who knew? (Everyone. Everyone knew.)
  5. Finish with beeswax – Professional, food-safe beeswax to protect the board and make it kitchen-ready. None of your cheap stuff.
  6. Package sustainably – Wrapped with care in organic materials, because what’s the point of using sustainable bamboo if you’re going to wrap it in half of China’s plastic production?
  7. Send it off into the world – Like releasing a particularly flat, wooden child into the wild.

WHY BAMBOO?

Apart from the fact that it sounds exotic and makes me feel worldly despite never leaving Northumberland?

Bamboo is genuinely brilliant. It’s sustainable, regenerating faster than my Netflix queue. It’s naturally antibacterial, so your cheese board isn’t turning into a science experiment. It’s durable enough for proper kitchen work but gentle on knife edges. And it takes pyrography beautifully, creating rich, dark tones that contrast gorgeously with the natural grain.

Also, it’s lighter than traditional hardwood boards, which means when you inevitably use it to gesticulate wildly while telling a story in the kitchen, you’re less likely to cause serious injury.

THE DESIGNS

From the sublime (intricate highland cows with floral crowns, detailed octopi that would make a marine biologist weep) to the ridiculous (Northumberian dinner choices, kitchen humour that’s borderline inappropriate), each design is hand-burned with the same care and attention.

Some are decorative art pieces that happen to be functional. Some are functional pieces that happen to be art. All of them are made with the belief that the things we use every day should bring us joy, not just utility.

WHAT’S NEXT?

More designs. More boards. More burns (hopefully just on the bamboo, not on me).

I’m always working on new ideas, taking custom commissions, and generally seeing what happens when you apply extreme heat to sustainable materials in a controlled artistic manner.

This blog will be a place to share new designs, talk about the craft, maybe throw in some care tips, and occasionally ramble about why traditional skills matter in our increasingly digital world.

IN CONCLUSION

The Northumbrian Burn is about making things properly, slowly, and with genuine care. It’s about sustainable materials, organic packaging, and keeping traditional craft alive. It’s about creating pieces that are genuinely unique, not just “unique” in the way that marketing people use the word.

It’s also about having a laugh, not taking ourselves too seriously, and remembering that at the end of the day, we’re burning pictures into bits of wood and calling it art – which is simultaneously ridiculous and wonderful.

If that sounds like your cup of tea (or your glass of wine, no judgment), stick around.

Welcome to The Northumbrian Burn. Where tradition meets bamboo, and nobody’s using lasers.

— The Northumbrian Burn Made in Northumberland. Burned by hand. Packaged with care. Delivered with love (and no plastic).

P.S. – Yes, I know “pyrography” sounds like something that should be treated with antibiotics. It’s not. It’s just Greek for “fire writing.” The Greeks had a word for everything, didn’t they?

 

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What is Pyrography?

The word “pyrography” means “writing with fire”.  Often the term is used  interchangeably with the term wood burning.  However, technically the word can be used to describe any type of writing or drawing with a hot tool, and there are some amazing artists out there who pyro on to leather, bones and even paper!

All my pyrography (so far!) has been on wood.

What does a pyrography tool look like?

pyrography tools

There are many different types of pyrography tool with fixed or interchangeable tips.  The main two I use are a basic pen tool with 2 heat settings and a professional tool with a much wider choice of heat settings. 

Simple:  this basic pen tool has lots of different tips that can be screwed into the top and the pen acts a bit like a soldering iron as it heats the end up.  This is the type of tool I started out with and is great for beginners.  I still use the pen tool if I have lots of dark areas to burn.

Professional:  I have a RazorTip burner and it is amazing for detail and shading. You have the choice of fixed tip pens or interchangeable tips to choose from and there is an abundance of different tips to choose from.  The temperature control lets you have more control over shading.

How do you design on wood?

pyrography work in progress

If I am burning a simple image that I am very familiar with – eg a sunflower, I will draw the design in pencil directly onto the wood before starting the burn.

For text, or more complex designs I will first design on the computer before printing the design out.  I then transfer the design outline on to the wood using graphite paper.  I then burn over the outlines and use the print out of the design to help guide me when I do the shading.

Can you burn on any type of wood?

types of wood

Yes and no! It depends on what you want to burn.  In theory if the wood is sanded well enough you could burn on it, but depending on the type of wood you’d struggle to get good detail and might be limited to simple blocky designs.  I love to burn on Ash, Sycamore and Bass for detailed work but have frequently used Oak, Cedar and Pine for big chunky signs.  You can also only burn on untreated wood as you really don’t want to be inhaling fumes from paint, varnish or woodstain!

How long does it take?

It varies a lot! A freehand sunflower on a bookmark might only take 20 minutes to burn, whereas a detailed rose or big sign would take hours.  It also depends on how much prep the wood needs before and after.  Some items will need sanding and cutting before, other items needs lots of coats of sealant or varnish or stain after which needs to dry in between coats.

Take a look at this video of me making a sign to see all the different stages a bespoke sign goes through.

What items do you have for sale?

Please take a look at my British Craft House shop for all the currently available items.  I have a wide range of products available including:  Gifts for Him, Gifts for Her, Storage, Boxes, Signs, Gifts for Kids and much more!

jomo products