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Max the miracle dog statue commission

It has been wonderful to see people’s reactions to the sculpture of Max the Miracle Dog, now in situ on his Honister slate bench in Hope Park, Keswick.

I was absolutely thrilled when the owner of the world’s favourite Springer Spaniel, asked if I would accept a commission to sculpt ‘Max’. It would be a lasting tribute to the service dog that has been his lifeline and has since helped so many people.

 

A fundraising page was set up before I was asked to take on the commission and more than £26,000 was raised in just one day. With £15,000 needed for the original commission, Mr Irving pledged any additional funds raised to the PDSA, knowing they would put the money to good use.

 

I was excited to accept the commission and to work with Aron McCartney at the McART Studios, who would turn my original wax sculpture into the beautiful bronze you can see today.

 

It has been quite a journey.

 
The Max the Miracle Dog statue will be forever displayed in Hope Park, in the heart of the Lake District. It will commemorate ‘Max’. Aron and I hope it will give a much-needed boost to Cumbrian tourism and local businesses. I am so pleased that I was asked to create this tribute to a wonderful little dog who means so much to so many. 

 

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Traditional V Digital Sculpture techniques?

I’ve been a traditional sculptor for more than 30 years. I enjoy the relationship I have with the medium I use, and also the close interaction with the reference materials I choose, both of which combine to help me create the sculptures I produce.

Close up of a Hare sculpture created using traditional sculpting techniques
Close up of my Harriet Hare sculpture created using traditional sculpting techniques

I am rather resistant to change, and have tended to view ‘digital’ sculpting as… cheating! Well, to some degree any way! However, a figurine designing company recently contacted me after they began following me on Instagram and they commented that they were impressed by my ‘sensational fur sculpting skills’! (?) They went on to ask me to sculpt a type of Tiger for them, even though they employ several digital sculptors. It seems that perhaps fur can’t easily be replicated using a computer and that the hand and eye of a traditional sculptor might still be useful in this digital age! 

I was thinking about how I was going to approach this project and I had an idea about how to incorporate working ‘with’ digital sculptors which would save the company time and money and still produce the finish on the sculpture which they came to me for.

I admit to feeling slightly apprehensive when I emailed them my idea… I know nothing about digital sculpting or 3D printing and was expecting my idea to be shot down in flames, but… the reply came back almost immediately hailing me as ‘innovative’ and a ‘genius’! (?) They also believe that they might have quite a bit of ‘traditional’ sculpting work for me in the future! 

So, traditional V Digital Sculpture techniques? You’ll have noticed that I haven’t spilled the beans on exactly ‘what’ my brilliant idea is (it isn’t always a good idea to give your best ideas away!), but I’m so pleased that after my resistance to digital sculpting I have found a way to combine it with the way I work to the mutual benefit of both me and the customer in a faster and ultimately a more satisfactory way. 

Hare sculpture created using traditional sculpting techniques
My Harriet Hare sculpture created in wax using traditional sculpting techniques