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Meet Gill, the maker behind Arvor and Mor Jewellery

Gill, the maker behind Arvor and Mor Jewellery, is jumping in the air in the sand dunes where she loves to run

A little about me

I’m Gill, the jeweller behind Arvor and Mor, and I thought I’d share a little about myself and my work. I live in South West Cornwall with my partner and our rescue dog, Jess. I live and breathe the coast and sea, and spend as much time as I can immersed in it — whether that’s running, walking, swimming, bodyboarding, or occasionally wobbling about on a paddle board!

My jewellery journey began at a workshop where I first learned to create simple, unique pieces using silver metal clay. That day opened the door to something that would become a huge part of my life — allowing me to create timeless jewellery inspired by the coast and everything it gives me. But it wasn’t until Covid hit that the opportunity arose to turn my passion into a business.

For many years, I worked in adult mental health within the voluntary sector, mostly for Mind. I then retrained as a Soft Tissue Therapist with the London School of Massage and worked for myself until Covid hit. That’s when I returned to jewellery making — to give me purpose, routine and fulfilment while I was unable to do any close-contact work with clients.


Why Arvor and Mor

Over the years, I’ve struggled on and off with my mental health. Coming from a neurodiverse family, I’ve been on a lifelong journey of discovering who I am, learning to embrace my differences, and finding what helps me thrive in this world. More recently, that journey led to a diagnosis of ADHD.

Moving to the coast has been an important part of that journey. I find it has a powerful impact on my wellbeing. The sea, in particular, calms and quietens my mind, helping me embrace whatever the day holds. It’s like pressing a reset button.

The coast has always been a healing place for me, which is why I named my brand Arvor and Mor — Cornish for coast and sea. Through my jewellery, I hope to share a small piece of this special place with you.


My work

My jewellery is shaped by Cornwall’s rugged coastline, its rich mining heritage, and time spent outdoors — in the sea and along the coast path. Every season, every day, every tide brings something new.

I work mostly with recycled silver and copper, using blow torches to melt, mould, cast and texture the metal by hand. I’m drawn to organic processes and natural imperfections, allowing each piece to form in its own way. I also love working with wax, carving and moulding it into fluid, natural textures and shapes that tell stories of the coast. No two pieces are ever the same — each one carries its own raw character and story, shaped by the landscape that inspires it.

I make jewellery for people who feel drawn to the sea — who find calm, grounding and meaning there. Each piece is made to be worn and loved, carrying its own story as it becomes part of yours.


At the heart of Arvor and Mor

Uniqueness and connection

I love celebrating uniqueness, difference and connection through my jewellery. After all, there is no “normal” — only wonderful diversity. We all connect in different ways, with each other and with the world around us. I hope my jewellery finds you exactly where you are.

Sustainability and the planet

Caring for the planet is at the heart of everything I do. Each piece of Arvor and Mor jewellery is made to last — timeless jewellery that you can wear and love for a lifetime. Working with recycled metals and small-scale processes allows me to minimise waste and reduce impact. If you’d like to read more about my sustainable approach, you can find out more here (insert link).

People and community

I donate 2% of all Arvor and Mor sales to The Wave Project, a brilliant charity that started here in Cornwall, helping children and young people thrive through surf therapy. You can learn more about their work here (insert link).


I hope you’ll join me on this journey and find something that resonates with you, bringing you joy and meaning. If you’d like more slow making, coastal stories and behind-the-scenes glimpses, you can find me on social media at @arvorandmor.

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🌿 Hello and Welcome to The Illustrarium

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

Welcome to The Illustrarium! I’m Susie – an artist, illustrator, and maker based in rural Devon, where I’m endlessly inspired by the natural world around me. My studio looks out over the beautiful Devon countryside, and it’s from these everyday moments in nature that so many of my pieces begin.

Portrait of the artist inside a decorative hand-illustrated frame with florals, butterflies and botanical motifs.

Every design starts with a hand-drawn sketch – it’s the heart of my creative process. From there, I bring each artwork to life using a mix of watercolour, inks, and gouache, before refining the final piece in Photoshop. I love the rhythm of this process: drawing, painting, layering, and watching an idea slowly blossom into something joyful and full of colour.

My Creative Process

Hand-painted watercolour illustration of pink and yellow alstroemeria flowers beside brushes and a palette

Drawing has always been at the centre of my work. My sketchbooks are full of ideas – some botanical, some inspired by folklore or history, and some simply from imagination. This unicorn sketch is one of those pieces that began as a moment of storytelling on the page.

Colour inspiration usually begins with what I find around me – seasonal flowers, soft winter berries, the explosion of green growth along the Devon lanes in Spring, or a fascination with a period in history. I often mix fresh palettes directly from gathered blooms, exploring combinations until something sings.

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

🌸 Inspiration & My Visual World

I’m drawn to objects and details that hold stories – tiny treasures collected over time, pieces of history, textures, patterns, and colours that spark curiosity.

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

✨ What You’ll Find in My TBCH Shop

Everything you see here is designed by me and crafted with care. Quality and sustainability are incredibly important to me:

  • My art prints are produced using archival inks on beautiful 310gsm fine art paper

  • All stationery and cards are printed on FSC-certified paper

  • And every order is lovingly packaged in eco-friendly materials from my Devon studio

Eco-friendly packaging at The Illustrarium: pink tissue-wrapped parcels with patterned gift tags, twine, and studio tools.

In my TBCH shop, you’ll find a curated selection of illustrated art prints, greeting cards, eco-stationery, notebooks, notepads, bookmarks, and more. I’m also excited to be expanding my homewares selection soon too – tea towels are my first addition and I’m hoping to add cushions, washbags, and aprons featuring my signature hand-painted designs in the near future.

Handwritten message inside an illustrated greeting card, showing the artist’s personal touch.

One of my favourite personal touches is my handwritten message service: if you’d like to send a card directly to a loved one, I can handwrite your note inside.

My hope is that when your package arrives, it brings a small spark of joy to your day – and a touch of magic to your home.

theillustrarium-mosaic-pattern-inspiration.jpg

💌 Stay Connected

You’re warmly invited to visit my website if you’d like to stay connected – and if you join my mailing list, you’ll receive a 15% welcome discount to use here in my TBCH shop, along with early access to new artwork.

https://www.theillustrarium.com/newsletter

Thank you so much for being here and for supporting independent makers.


Susie x

 

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Meet the Maker – Laura Llewellyn Design

Laura Llewellyn designer and jeweller

Laura Llewellyn – Meet the Maker

I initially started making jewellery whilst studying for my Foundation Degree in Art and Design; having always been creative this was a fantastic course to do. When I first started the course I thought I would go on to study graphics or photography at university as these were 2 of my A level subjects.  After a few weeks one of my tutors suggested trying jewellery making; I signed up for an evening class and the rest is history!

Amethyst gemstone necklace handmade in sterling silverI went on to study at the University for Creative Arts in Rochester and my degree is in Silversmithing, Goldsmithing and Jewellery Design.  Once I finished studying I worked in the jewellery industry in various roles including retail, wholesale, designing, manufacturing and managing a shop. I’ve always worked for small independent companies so my responsibilities were always varied giving me a great overview of the industry.

After a few years I also began to teach at our local college
in the evenings eventually going on to take over the course I had initially began my jewellery journey on! After a few years of juggling jobs I decided to go completely self employed in 2016 and set up Hampshire School of Jewellery which I still run now.

Green Chrysocolla Malachite gemstone set in a sterling silver handmade necklaceHaving always designed and made jewellery for friends and family I set up Laura Llewellyn Design in 2017.  I work mainly in silver but do on occasion use gold and platinum. I love to search for beautiful gemstones to set in my pieces; I tend to only purchase one (or two for earrings) of each gemstone so you really are getting a one off unique piece of jewellery.

My work doesn’t have a set style; I love to work in different mediums exploring materials and making jewellery that I would love to wear myself.   It can be hard to part with the one off gemstone pieces I make!  I use a mixture of sterling and fine silver in my pieces and combine traditional silversmithing techniques with the more modern way of using silver clay depending on what I want to create. Each element of my designs is handmade including the individual stone settings.

If you see something you like but you would like it altered please get in touch to enquire from changing a chain length or sourcing a different gemstone I will always do my best to help.  I also work on bespoke commissions if you have a particular design in mind and I will work with you to create this.

I am proud to be a member of the British Society of
Jewellers and in the summer of 2020 I passed my Accredited Jewellery Professional Diploma with the Gemmological Institute of America (GIA)

I was thrilled to be chosen as a winner of Small Business Sunday by Theo Paphitis in August 2021.

My hallmark is registered with the London Assay Office and any work requiring hallmarking is sent here to be checked.  Please see my hallmarking blog for more information.

My other interests include baking, travelling, sewing and mixing cocktails. My hubby and I dance ballroom and latin.  We compete around the country at various competitions and in July 2024 won our couples category at the Blackpool finals. I am also addicted to nail varnish which is highly impractical for a jeweller!

Thank you for taking the time to visit my shop and read my blog.  You can stay up to date with my
latest creations by following me on social media.

 Please do not hesitate to get in touch if you have any questions at all

Laura x

 

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Illuminating Creativity: A Conversation with Stained Glass Artist Joysofglass

Unveiling the Magic Behind Breath taking Stained Glass.

Hello and welcome to another blog post, for the next few weeks I will be interviewing my fellow sellers on The British Craft House

Today we have JOYSOFGLASS, an absolutely fabulous stained glass artist. Her art work always makes me smile, it is so bright and cheerful! I am in awe of her cutting skills!  Enjoy!

Tell us a little bit about yourself and your business.  

I’m a Glass Artist. I mainly do Stained Glass but Tiffany Copper Foiled Suncatchers rather than the Leaded windows I started with.  I’ve been glassing since I did a course in Leaded stained glass in early 2008 and selling on line since 2009.

What initially drew you to the art of stained glass?

I was in my church choir from age 9 until I left town to go to University and then work in IT in London. The church had a superb Altar window. I sat underneath it 3 times a week for years and must have got into my blood as when I was offered  a 3 day course of anything I fancied in 2008, by my WI,  I chose stained glass.

Can you walk us through the process of creating a stained glass piece, from initial concept to finished product?

I draw my design on paper using the computer to draw circles and rectangles as the computer does those better than me. I do a lot of tracing to keep within the frames the computer draws. When I have my pattern I scan it into the computer and can then print it multiple times whenever I want to make it again. I need 2 patterns per piece as one gets wet in the process.
I choose my glass and cut all the pieces. Then I grind all the edges of each piece, they have to be smooth and the grinder can also make sure things fit together well. Then wash everything to get the ‘grind’ off before  copper foiling. This is a thin copper tape, normally 7/32 inch wide, which is self-adhesive. I wrap it round the edges of each piece, use a fidd to burnish all over the copper so it adheres well. Then I put all the pieces back on the paper pattern like a jigsaw (the dry one as the first gets too wet when I grind), switch the soldering iron, brush the glass all over with liquid flux and  solder it all together . Back, front and all round the edge to cover all the copper tape. Last stage is to attach hanging rings, a good wash in soapy Fairy water before attaching a hanging chain and a thorough polish with carnauba wax car polish. All that is left is to photograph, list it in my shop and sell it.

Where do you find inspiration for your designs?

Anywhere really. I see things when I am out and about or spot something on the internet, think about it for a while until my head works out what it wants to do with the idea and how to translate into a cutable glass design.

What are some of the biggest challenges you face as a stained glass artist?

My fingers can get a bit sore and I can’t copper foil wearing plasters on them so have to be very careful not to make them bleed  I wear gloves, gardening ones actually and always have since I started. I rarely handle any glass without gloves on. I am on blood thinners so if I stick a bit of glass in the end of my finger (favourite way to cut myself) I have to wait at least  half an hour before I can use my finger again.  My grinder top is full of water and in winter as I work in an unheated garage I have to it with water from the kettle as cold water really makes them sore.

How do you ensure the quality and longevity of your stained glass pieces?

I examine each piece as I make it and check for weak points and correct them to strengthen as well as I can.  I use twisted glass as a frame round bigger pieces. Glass is likely to break when dropped but if it has wire round it is far less likely to fall to pieces. My daughter has a water lily which I designed for her. It has a little internal crack I have noticed but it is still absolutely fine. Thank goodness for the twisted wire frame.  As I polish I examine everything holding it up to the light to make sure there are no rough bits, usually found if the duster catches them. I never switch the soldering iron off until I’ve finished polishing in case I need to do any touch up to the soldering.

What are some of the biggest challenges you face as a seller?

Getting my work out there. Such a big wide world but social media is fickle and sometimes spreads my posts well and at other times it hides me.

Can you describe a typical day or week in your life?

I glass most days I am at home even if only for a few hours. I am officially retired (used to be in IT) so don’t get up early but I do go to bed very late. Currently 00.27  according to my laptop..  I usually print off the patterns I am going to make that day and head for the garage.  Then back to the house after cutting and grinding as I copper foil in the living room and solder in the porch (warmer and good light). 
If It’s sunny I might pop into the garden for an hour or so to tidy the garden but otherwise I just occupy myself, very happily, doing what I love, glassing.
Hopefully later in the afternoon if I have orders from the previous day or earlier that day I pop out to the local post office to catch the 4.15pm collection.

Do you offer custom stained glass commissions? If so, how can potential customers get in touch with you?

If someone wants me to make something then I will always happily consider it. Customers contact me via my Facebook or Instagram account or by email as either a returning customer or from my contact page on my own Joysofglass website. I don’t sell from there, no need to as I have good shopping platforms to use which are already set up for that but I do use my website as a shop front to direct to my actual online shops.  My British Crafthouse shop is of course my favourite and I actually have two. One full of stained glass, the other fused as I have too many listings for just one shop.

What has been your most rewarding experience as a stained glass artist?

My very best experience was only last month when I was presented by Theo Paphitis with my SBS award. The whole experience of the event was epic
.
Otherwise I get rewarding experiences most days with lovely emails from my customers and super reviews. Makes every little cut of my fingers worthwhile.

Have you ever had a particularly unique or challenging stained glass commission?

Bob my husband decided we needed to replace the door from the kitchen to the porch to let in more light. So he said I will make the door and you can make the window (2 long thin panes required and leaded not copper foiled).  I did it but it was a challenge. My glass bench is not set up for large pieces, not as big as those two window panes anyway and I had to work wherever I could  find space in our already messily full garage.  Really love it though and it is so good to have something we both made which we see all day every day.

What makes your products unique and stand out from others?

Over time I have of course become more and better skilled and I do pay extreme attention to detail. I have a very wide range of designs now, a massive selection of all types and shades of glass and I hope my enjoyment in creating comes through in my work. I sometimes feel guilty that with so many of my own designs it must be hard for other glass artist so design something which is not a copy of one of mine. But I don’t feel too bad about it. 

What are some future goals you have for your craft business?

More of the same. I cannot expand my ‘operations’ as I am constrained by my house and I am perfectly happy making as much glass as I can sell while also doing the other things we do such as quite a lot of holidaying and travelling.

What is your favourite listing on your TBCH shop?  

Sorry I don’t have one. I have such a lot of designs and often they are also in different colours and I really do like most of them. My Hare is my current favourite but that is because I love hares and this design is very new. February and I’ve already sold 4. It is out of stock at this moment. I made another yesterday but sold it right away.  That’s my job for Sunday, make a 5th..

What piece of advice would you give to your younger self?

Have more confidence in yourself. Don’t wait so long to get that confidence. You can do whatever you want. Just get out there and do it.

 What hobbies do you like to do? How do you relax?

My camera lives round my neck when we are out and about. So I take photos but my favourite way to take photos is when we are away somewhere. Have a few days in Derbyshire planned shortly. Then Cyprus for a week in April. June will be France with the caravan and September hopefully Italy.

Tell me a strange or unusual fact about yourself/ any claim to fame?  

I sing. I sang as a child .. age 3 was first time on stage I believe singing “me and my teddy”. I was quite a good singer. I took A level music ( a long long time ago)  with my voice as my instrument. Sadly smoking lost a couple of octaves for a while but having stopped that  in 2006 I am now mostly recovered and I Always sing when working, in  the garage, in the garden, in the house. And if I have a cold and therefore a croak I am really rather good at whistling. I have perfect pitch so that helps for tunes but I can also do a four finger really really loud one if pressed. My daughters will bear witness to that as I had to use it sometimes if I lost them when we were out .

Is there anything else you would like to share with our readers?

My motto is My name is Joy and Glass is my Joy..   and it is !

Thank you so much to Joy for answering our questions.

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Odds and Ends of Autumn

After slower rhythms in summer, autumn is a rush. The sort of rush where eventually you look up and the leaves have all fallen and you wonder when that happened.

But every year has its variations and it’s been warmer for longer this year. Instead of scurrying through wet and windy days, there have been brighter days too, with warm sun and piles of earth-scented leaves. I enjoyed rediscovering the forgotten musky-sweet smell of an oak tree and scattered acorns. And I particularly enjoyed the riot of autumn colours collected together on one rowan tree.

Close up orange red acer leaves

I have been trying to appreciate something of the goldenness of autumn. I feel like I haven’t got outside enough to do this, but the late afternoon light has often been lovely to watch from the kitchen.

Some of our flowers came out in the September sun rather than in July, so autumn brown and winter grey haven’t taken over the garden yet. I love seeing the lavender in flower. Purple buds and dried lavender are so familiar, but the fresh flowers are such a lovely colour. This year I’ve been catching at lavender whenever I remember, getting a brief moment of scent on my fingers.

close up lavender stem in flower

I love flowers with scent. One of the most rewarding ones is buddleia – I have a dried sprig in a vase which I picked in August. It still has a sweet honey-buddleia scent (up close), which is lovely to enjoy months after the flowers have faded.

These are just little things that I am trying to pick up as life and work continue at pace. Every holiday is a deadline – a challenge to meet goals before routines and priorities change again. Holidays allow for a lot more noticing – and I often feel that I’m trying to catch up with all the noticing I couldn’t do in the rush of everyday life. I’m not getting outside quite as much right now, but I appreciate how this blog helps me to reflect on what I have seen, and also gives me a nudge about what else I could do to take time and stop on occasion. I still wander out into the garden for a short while now and then. There were late butterflies to enjoy last month, and the birds are always singing. Mostly it’s sparrows, but we have a melodic blackbird as well.

Red Admiral butterfly near purple verbena

My next post will probably be at the start of December, which is the sort of month where Christmas tasks can take three weeks to be whittled away, and where I start setting a timer to get through small chunks of different tasks every evening. I think of November as the eye of the storm, so I will enjoy the relative calm.

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Summer Walk

At the earliest opportunity, I branch off the main path and take the narrow lane which cuts through the woods. I find I am walking briskly through places where I would normally linger. In the heat of the mid-afternoon it is easier to move than to stay in one place. I can feel the burn of the sun whenever I stop and so I walk as if I can escape it. Birds call and chirp. I can’t identify them with confidence until the wood pigeons coo.


I have developed a new habit of grasping the leaves of trees, just for that tactile connection. Another way to remember the differences between them all, and an extra dimension of the whole experience to recall in the relentless activity between holiday spaces. The beech leaves are past their spring softness and have turned a dark and shiny green. They have a thick, almost leathery feel. Some are already brown, crisp and crinkled. Conifers release a green, musky fragrance with their rough feathers. I touch the tips of my fingers to wicked holly spikes, but the larches have soft, comfortable needles. Lime leaves are among the most familiar to me – I try and breathe in the sweet, sticky scent that I remember, but can’t quite catch it today.


Five minutes through the woods and the lane continues between fields. The hedgerows are full of blackberries. I pick a few ripe ones, and then a red one to eat more slowly. The sour tang is similar to rhubarb and lasts a good long time. Near shoulder level, the border of lacy white cow parsley is dotted with deep burgundy dots of great burnet. In a tangle to my right, lesser stitchwort is scrambling along the length of the hedgerow at ankle level. Thin green stems weave messily through the grasses like a long scribble. On cooler days, I have bent to examine the slender white petals of these small, starry flowers. They travel along the edge of the field, dotted among the green like constellations.


Other people are in the lane, so it’s not a spot to linger long, even if the heat allowed. I follow the path round the field, now parallel with the road. Birdsong gives way to the swoosh and rumble of traffic. Eventually I know there will be a turning that goes towards the lake, although I don’t know how far along it is. The path is much more narrow now. Brambles, shrubs and grasses press from all sides. I watch out for nettles and thorns, avoiding stinging swipes or jagged catches. The late afternoon heat keeps me moving. This path is quite busy with people too. We cram ourselves into grassy passing places to make way, trampling bracken and keeping an eye on the thornier bushes.


After a while, a broader path leads down towards the lake. The air freshens a bit nearer to the water. The hedgerows give way to open grassland and neat gravel paths. There are boarded walkways through marshy areas, green and reedy, with pink accents of invasive Himalayan balsam. Soon the boards open out to fields near the water, where there are people and sheep. I stand in the heat listening to the tearing rip of grass being eaten; a sound of concentration occasionally punctuated by bleats, as if a slow conversation is taking place over the long afternoon.

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Taking Notes

Hi, I’m Rachel from Sweet Thorn. My plan with this blog – which I think I will call Taking Notes – is to continue developing a habit of noticing details in nature.

Some years ago, when I was thinking over ideas about embroidery and what I found inspiring, I realised I had lost the time to notice details we see every day. Nettles and dandelions, or the flowers we see in
hedgerows and brownfield sites, get taken for granted. But, given the time, I like looking more closely at plants and flowers, to see the detail of petals and leaves and notice distinctions. I also like to know what I’m looking at. I realised how easy it was to glance at a hedgerow and label the lacy flowers as umbellifers, without knowing which ones were cow parsley and which were Queen Anne’s Lace. Or hemlock for that matter.

Embroidered cow parsley seed heads

My embroidery art is influenced by these small details, many of which I have learned only in the last few years, through taking photos and looking up what I’ve seen. There are a lot more white and lacy umbellifers than I knew, and their flowers are so varied! The seed heads can be just as intriguing – cow parsley seed heads have exquisite little curling details like filigree. Other plants are a bit more familiar – I particularly enjoyed stitching the distinctive heart-shaped seeds pods which make shepherd’s purse so easy to identify.

Close up of shepherd's purse seed heads, outlined in embroidery.

Hand stitching is an excellent way to highlight details and draw the eye but of course it develops much more slowly. I choose my subjects carefully – I want to be able to recreate my sketches in thread and communicate
what I find most captivating. But even simple designs take time. The advantage of this is that hand embroidery creates a lovely, careful rhythm of work. But writing will add to the scope of embroidery, as I can describe a wider variety of plants more easily. I can also communicate more than the appearance of different wildflowers – I can talk about the fragrance of honeysuckle, juicy blackberries and the feel of leaves in different seasons. I am hoping that taking the time to reflect will allow me to notice more details each time I go out, and that the busyness of life can be balanced against things like noticing the shape of hawthorn leaves or the gleam of rowan berries.

I’ll be back next month – thanks for reading! All best,
Rachel

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Five reasons to take part in an Instagram challenge!

If you follow me on Instagram, you may have seen that I took part in The British Craft House January Instagram challenge.  The idea is that you follow a set of prompts everyday throughout the month, helping you to create content and engage with your audience.  With March seeing the start of Meet the Maker from Joanne Hawker, and it maybe seeming like a bit of a daunting challenge, I thought I’d share my five top reasons why it’s worth getting involved!

1. It provides you with content ideas and encourages you to think outside the box!
Hands up if you sometimes sit staring at your phone, drawing a blank on what to post for the day?  I know I certainly do! With daily prompts throughout the month, these challenges do a lot of the thinking for you!  They provide inspiration for daily posts and a chance to be creative – it’s completely up to you how you interpret the prompt!  From prompts such as ‘packaging’ and ‘logo’, to ‘daily routine’ and simply ‘favourite colour’, you can post as little or as much about your business or personal life as you want!

Crofts Crafts packaging

2. It helps you get seen and gain followers – in an authentic way!
Most Instagram challenges suggest a hashtag that you can add to your posts such as #TBCHJanChallenge or #MarchMeetTheMaker.  That way people can scroll the hashtag and see everyone that’s involved.  So it’s a great way not only for you to find fab new businesses and accounts to follow, but for new people to find you too – and hopefully if they like what they see they’ll become a follower and at some stage, make a purchase!

3. It gives you an opportunity to show another side of your business
Quite often we can fall down the trap of only showing product photos, or only talking about our services.  Personally, I think that’s totally fine if that’s what you want to do, but if you’re interested in branching out and sharing new content but not sure how, this is a great way to start.  People do love to see a bit of the ‘behind the scenes’ and to get to know the person behind the brand – it helps build trust with your customers.  People buy from people, or so they say!  My most popular posts over the last year have been ones about gardening and dahlias, rather than my cards, and that’s fine!  But hopefully when the people that enjoy those posts need a card, Crofts Crafts will be the first place that springs to mind!

Crofts Crafts Dahlias

4. It’s fun and boosts your engagement!
What I find great about these challenges is the sense of community and fun they create.  If you’re posting content that’s different to usual, it can spark some interesting conversations with your followers in your comments and DM’s, which helps boost your engagement and in turn helps you get seen.  It’s always fun to find out more about your fellow makers or even just to share thoughts on prompts you struggled with or weren’t so keen on!

5. You don’t have to post every day
Yep, you read that right.  As mentioned above, these challenges are supposed to be fun – if you are struggling to come up with an idea, are too busy, or simply don’t like a prompt or want to share what’s being suggested – that’s ok!  I’ll let you in on a secret – I’ve taken part in a few of these challenges over the last few years and I am still yet to complete one fully, posting everyday.  And that’s totally fine!  If you are taking part, it also doesn’t mean that you can’t post other stuff if you feel like it either.  The accounts that host these challenges do it to help you build your online presence, but one of the things I love most about them, is being able to dip in and out as I choose, without any pressure and just make the most of the inspiration and motivation when I need it!

I’ll be attempting to take part in this year’s #MarchMeetTheMaker with Joanne Hawker over on Instagram starting on 1st March if you fancy joining in or just following along – but no promises I’ll be posting every day! 😉  Find out more about it here.  Will you be taking part?  Have you joined challenges in the past?  I’d love to hear your thoughts in the comments below!