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🌿 Hello and Welcome to The Illustrarium

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

Welcome to The Illustrarium! I’m Susie – an artist, illustrator, and maker based in rural Devon, where I’m endlessly inspired by the natural world around me. My studio looks out over the beautiful Devon countryside, and it’s from these everyday moments in nature that so many of my pieces begin.

Portrait of the artist inside a decorative hand-illustrated frame with florals, butterflies and botanical motifs.

Every design starts with a hand-drawn sketch – it’s the heart of my creative process. From there, I bring each artwork to life using a mix of watercolour, inks, and gouache, before refining the final piece in Photoshop. I love the rhythm of this process: drawing, painting, layering, and watching an idea slowly blossom into something joyful and full of colour.

My Creative Process

Hand-painted watercolour illustration of pink and yellow alstroemeria flowers beside brushes and a palette

Drawing has always been at the centre of my work. My sketchbooks are full of ideas – some botanical, some inspired by folklore or history, and some simply from imagination. This unicorn sketch is one of those pieces that began as a moment of storytelling on the page.

Colour inspiration usually begins with what I find around me – seasonal flowers, soft winter berries, the explosion of green growth along the Devon lanes in Spring, or a fascination with a period in history. I often mix fresh palettes directly from gathered blooms, exploring combinations until something sings.

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

🌸 Inspiration & My Visual World

I’m drawn to objects and details that hold stories – tiny treasures collected over time, pieces of history, textures, patterns, and colours that spark curiosity.

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

✨ What You’ll Find in My TBCH Shop

Everything you see here is designed by me and crafted with care. Quality and sustainability are incredibly important to me:

  • My art prints are produced using archival inks on beautiful 310gsm fine art paper

  • All stationery and cards are printed on FSC-certified paper

  • And every order is lovingly packaged in eco-friendly materials from my Devon studio

Eco-friendly packaging at The Illustrarium: pink tissue-wrapped parcels with patterned gift tags, twine, and studio tools.

In my TBCH shop, you’ll find a curated selection of illustrated art prints, greeting cards, eco-stationery, notebooks, notepads, bookmarks, and more. I’m also excited to be expanding my homewares selection soon too – tea towels are my first addition and I’m hoping to add cushions, washbags, and aprons featuring my signature hand-painted designs in the near future.

Handwritten message inside an illustrated greeting card, showing the artist’s personal touch.

One of my favourite personal touches is my handwritten message service: if you’d like to send a card directly to a loved one, I can handwrite your note inside.

My hope is that when your package arrives, it brings a small spark of joy to your day – and a touch of magic to your home.

theillustrarium-mosaic-pattern-inspiration.jpg

💌 Stay Connected

You’re warmly invited to visit my website if you’d like to stay connected – and if you join my mailing list, you’ll receive a 15% welcome discount to use here in my TBCH shop, along with early access to new artwork.

https://www.theillustrarium.com/newsletter

Thank you so much for being here and for supporting independent makers.


Susie x

 

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How to block a hat

felt hat pinned on a millinery block held in hand

Have you ever wondered how a hat is made? 

I first discovered millinery when I was given a hat making gift experience, and was transfixed by the magical process which transforms a 2-dimensional fabric into a fabulous 3D structure.

The basic techniques for creating hats have remained pretty much the same for centuries, using heat and water to soften the fibres before stretching over a block to create the desired shape. I prefer to use traditional wooden blocks, though metal and polystyrene are also commonly used. In fact, you can use pretty much anything to shape a hat – an upturned bowl, interesting vase, or just your hands to free-form a shape.

three images showing how a felt hood is blocked (shaped) on a wooden millinery block to create a hat base

My favourite material to block is felt. I use pure wool felts as it is more economical than fur felts and is a renewable resource so more ethical too. As a side note – did you know that millinery was one of the main causes of bird populations plummeting in the late 19th and early 20th century? The feather trade nearly wiped out several species with desirable plumage, with over 5 million birds killed every year just for the sake of hats! Thankfully we are more aware of our impact these days, so I try to be mindful when selecting fabrics and trims.

Millinery felt comes pre-shaped into either a cone, or ‘hood’, or a cone with wide brim known as a ‘capeline’. For this small percher hat, I’m using a hood (figure 1). To begin with, I dip the felt into a bowl of warm water, just to dampen the fibres. It’s important the water isn’t too hot or the felt with shrink.

Once damp, I place the felt over the wooden block and pull down on each side (figure 2), steaming the felt to further soften the fibres and make stretching easier (figure 3). 

three images showing how a felt hood is blocked (shaped) on a wooden millinery block to create a hat base

As you keep stretching and steaming the felt, it starts to take the shape of the block (figure 4). I can then begin shaping the underside and pinning to hold it in place (figure 5). It’s important to keep stretching and pinning until all the creases are gone, as once dry the felt will hold whatever shape you have created (figure 6).

Once all the creases have been pulled out and the felt pinned into place, leave it for at least 24 hours until completely dry. It’s really important not to take it off too early, as you could stretch the damp fabric and distort the shape.

felt hat pinned on a millinery block held in hand

And there you have it – a hat base ready to wire and add stiffener to help hold it’s shape. You are then open to the wondrous world of trimmings. Although I tend to prefer more classic, tailored designs with minimal trims, one of the reasons I love millinery as a craft is there really are no rules. You can create a hat from literally anything, and add the craziest decorations – just think of ladies day at Ascot!

A hat should exude your personality, be a fabulous reflection of your true self. If you wear a hat, it’s often the first thing people will notice about you, so have fun with it and make it speak volumes about you.

I hope you’ve enjoyed learning about millinery, and perhaps you’ll look twice at that vase on your windowsill and ponder the creative possibilites it may bring?

Isobel x