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It’s that time of year

Three wooden jewellery stands on a market stall on top of a black table cloth. Each stand has two or three silver necklaces on them and there are fairy lights in front of the stands

I can’t believe that in two days I’ll have my last market of the year! Where has the time gone?  I have to admit I do really enjoy doing the in person markets.  Over the past couple of years I have had the pleasure of getting to know a lot of other small business owners local to me.  There’s always a lovely atmosphere and sense of camaraderie amongst the stall holders.  Thankfully this last one is indoors as the one I did last week was outdoors and absolutely freezing!!! It was the Christmas light switch on a Bourne Hall in Ewell and they had laid on a brilliant afternoon and evening of live music, entertainers and a bar.  

The joys of trying to have outdoor stalls in the UK is that you can never predict the weather.  Two years ago, I was at an outdoor market in Ewell in August.  We had thunder, lightening, hailstones and rain.  The people in the local coffee shop felt so sorry for us they brought us all out mugs of hot chocolate.  Then at the same market in October that year, we were all in t-shirts wondering if we were going to go home with a tan!  Add in a small breeze and you’ll often see me chasing my stock down the road – I’m really not windproof.  And yet despite this they are still good fun.  Take last Saturday, I arrived at half past 2 to set up.  By 3pm I couldn’t feel my feet and by the time it finished at 7.30pm I was having trouble feeling my face.  Although there was a fabulous turnout (busier than last year), people weren’t spending as much which is a shame, but probably understandable given the budget had just been announced (but I won’t get started on that).  Despite all that I had an absolute blast! My lovely sister came along and helped me set up and treated me to a glass of prosecco and lovely almond slice.  We both had fun listening and dancing to the live music (partly to try and retain the feeling in our feet lol).  The other stall holders were a lot of fun and we had a right laugh all afternoon and evening.  

Saturday the 6th December I will be in Bourne Hall, Ewell, Epsom, Surrey from 10-2.

So onwards to the last in person market of the year and then to start planning next year!!

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Why My Workshops Support the NSPCC

NSPCC certificate for donations from Angel and Pearl

I find the rhythm of bead weaving incredibly mindful.  The  process of creating intentionally, bead by bead, stitch by stitch, calms a busy mind.  When I started running workshops, this was something I wanted to share.  As well as teaching a new creative skill, I hoped my classes would carry a sense of care and kindness too.  So I looked into donating a percentage of my workshop fees to charity.

Sadly, my lovely Mum had a very difficult childhood, one that lacked the safety and support every child deserves.  I can’t go back in time to change her story or take away the pain she went through, but I can choose to play a small part in helping other children feel safe, valued and cared for.

Children need love and protection in order to thrive, grow with confidence, and reach their full potential.  That’s why a percentage of every workshop fee goes to the NSPCC.  When you join one of my workshops, you’re not just learning a new skill and making something beautiful for yourself, you’re also helping the lives of the children that need it most.  And that, to me, makes each piece even more meaningful.

Tassia x

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Arvor and Mor Christmas Markets

Dates and times for Christmas markets in Cornwall where you will find Arvor and Mor

It’s always a pleasure to have people stop by my Arvor and Mor Jewellery stall for a chat, so please do come along and meet me in person this festive season at one of my remaining Cornish Christmas markets.  You’ll find the venues, dates and times  below.  For more information on any of them, please click on the links.

Cornwall Shop Small Late Night Market

Boscawen Street, Truro

Wednesday 3rd December 9am-9pm

Find out more here

Porthleven Christmas Market

Shipyard Market

Saturday 6th December 10am-6pm

Find out more here

Porthleven Shipyard Market

Porthleven

Thursday 11th December 10am-5pm

Friday 19th December 10am-5pm

Coastal Christmas Market

Carbis Bay Hotel, Carbis Bay

Saturday & Sunday 13th & 14th December  11am-5pm

Find out more here

I look forward to seeing you!  Happy Christmas! Gx

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Two ways to put on a cuff bangle

A sustainable textured silver cuff bangle lying on pebbles, highlighting its coastal inspiration.

Do you know the secret to putting on a silver cuff bangle?  It’s something people struggle with when they try my bangles on, so I thought I’ve put together  a quick video to show you two different ways.

I’m not even going to try to explain the “how to” in words here, so please just watch the video here and give it a go if you have a cuff bangle.  And if you know a third way to do this, please let us all know!

It’s never a good idea to squeeze your bangle together and open it again, as over time the silver will become brittle and snap.  So it’s best to make sure you get the right size for your wrist and hand.  But if you do have a bangle that is slightly too big for your wrist, find that sweet spot between fitting your wrist and being able to get it on and off easily, then bend it no more!

Hope this helps!  Let me know how you get on. G x

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Here we go …

There are moments in a small business journey that feel especially meaningful — the kind that make you pause, smile and realise how far you’ve come.

Joining The British Craft House is one of those moments for me.

 

I’m so excited to begin this new chapter and share my full collection of natural aromatherapy products with a community that truly celebrates handmade craftsmanship. If you’re new here, welcome — and thank you for taking a few minutes to read a little about my story. 

Where It All Began

My love for aromatherapy started long before I ever imagined creating a product range. I’ve always been drawn to fragrance — not just how something smells, but how scent can shift our mood, ease tension or comfort us in a way that feels so gentle and natural.

That curiosity led me to train as a Clinical Aromatherapist, studying the science behind essential oils, their therapeutic benefits, and how they support emotional wellbeing. Over time, I began blending for friends, family and clients — little things like bath oils, pulse point blends and comforting bath products.

And as it often happens… a quiet passion grew into something much bigger.

Creating Products With Purpose

When I began formulating my collection, I knew I wanted every product to feel meaningful. Not just something lovely to use — but something that supports you.

This is where my ethos, Fragrance With Purpose, was born.

Every product is:

  • Handcrafted in small batches
  • Made using natural, skin-friendly ingredients
  • Scented only with pure essential oils
  • Designed intentionally for wellbeing
  • Created with the knowledge of a trained aromatherapist

I blend each formula by hand, pour it myself, label each bottle, and send everything out with so much love and care. It’s a slow, mindful process — and I wouldn’t have it any other way.

My Three Signature Fragrances

My aromatherapy range centres around three essential oil blends that feel close to my heart:

Bergamot & Sweet Orange

Uplifting, sunny and a little burst of joy — perfect for brightening your mornings.

Rose Geranium

A soft, balancing floral that brings emotional comfort and a sense of harmony.

Lavender

Calming, soothing and restful — a favourite for unwinding and bedtime rituals.

These blends appear throughout my collection, including bath foam, soaps, shower gels, shampoo, conditioner, body oils, handwash, bath melts and lavender eye masks.

 

Why The British Craft House Felt Like the Right Home

There’s something special about a space that celebrates makers, creativity and genuine craftsmanship. When I discovered The British Craft House, it immediately resonated with me.

It’s a place where:

  • Handmade is truly valued
  • Small businesses are supported
  • Quality and originality come first
  • Customers actively seek out products made with love

I knew instantly that this was the right home for my aromatherapy collection — a community where my products could be appreciated not just for their fragrance, but for the care and intention behind them.

A New Chapter Begins

Launching my shop on The British Craft House feels like a fresh start filled with possibility. I’m excited to connect with new customers, share the benefits of natural aromatherapy, and hopefully bring moments of calm, comfort and wellbeing into more homes.

If you’d like to explore my new shop, you can browse the full collection of bath, body and aromatherapy treats — in the very near future, as I’m just finding my way around!

Thank you for being part of this journey with me.

Whether you’ve been here since the beginning or are visiting for the first time, I’m so grateful for your support.

Here’s to new beginnings, gentle fragrances and wellbeing with purpose.

Ali

 

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THE NORTHUMBRIAN BURN: A BLOG ABOUT BURNING THINGS (THE LEGAL KIND)

 

Welcome to my little corner of the internet, where I set fire to things and call it art.

SO, WHAT’S ALL THIS THEN?

Right, let’s get one thing straight from the off – when I say “The Northumbrian Burn,” I’m not talking about that dodgy curry you had last Saturday night, nor am I referring to the state of your thighs after attempting a fell walk in new boots.

I’m talking about pyrography. The ancient art of burning designs into wood. Except I do it on bamboo chopping boards, because I’m fancy like that.

Started on the 30th October 2025 with nowt but a Facebook page and a dream (and some pyrography equipment that cost more than I’d like to admit), The Northumbrian Burn is all about creating unique, hand-burned bamboo boards in the traditional way. No lasers. No shortcuts. Just me, a heat source, 🔥 hours of patience, and the occasional singed fingertip.

WHAT WE’RE ABOUT

Honest Craft Everything is hand-burned. Every single line, every detail, every wonky bit that makes each board absolutely one-of-a-kind. If you want perfect uniformity, go buy something from a factory. If you want something with soul, character, and the occasional battle scar, you’re in the right place.

Sustainable Materials Bamboo isn’t just bonnie to look at – it’s brilliant for the planet. It grows faster than my to-do list, regenerates naturally, and is naturally antibacterial. Win, win, win. Plus, it’s kinder to your knife blades than traditional hardwoods, which your fancy Japanese chef’s knife will thank you for.

Organic Packaging None of that plastic bubble wrap nonsense here. Your board arrives wrapped in materials that won’t still be knocking about in a landfill when your great-great-grandchildren are having their tea. We keep it simple, sustainable, and honest – just like the boards themselves.

Slow Craft In a world obsessed with fast everything, I’m deliberately slow. Each board takes hours. Sometimes days if I’m being particularly fussy (which is always). You can’t rush art, and you definitely can’t rush burning intricate highland cow fur without it looking like a dog’s breakfast.

Proper Northumbrian Handcrafted right here in Hallington, Northumberland. Not outsourced, not mass-produced, not made by someone called Trevor in a warehouse in Slough (no offence to Trevor or Slough). Just me, in the North East, keeping traditional craft alive one burn at a time.

WHAT WE’RE NOT ABOUT

Lasers Look, I’ve got nothing against lasers. They’re great for eye surgery and cat toys. But for pyrography? Nah. There’s no soul in it. No artist’s hand. No happy accidents that turn into features. Just cold, precise, identical copies. Where’s the fun in that?

Mass Production If you want something churned out by the thousand, Amazon’s that way → Each board I make is individual. Unique. A bit different from the last. That’s not a bug, it’s a feature.

Perfection Controversial opinion: perfection is boring. Those little variations, the slightly deeper burn here, the organic flow of a line there – that’s what makes handmade special. If you’re the type who measures the gap between sofa cushions with a ruler, we might not be for you. But if you appreciate the beauty in imperfection, welcome home.

Taking Ourselves Too Seriously Yes, it’s art. Yes, it’s craft. Yes, it takes skill and patience. But it’s also chopping boards with highland cows wearing flower crowns and Northumbrian sayings about bait. Let’s not get too precious about it, eh?

THE PROCESS (OR: HOW I SPEND MY DAYS PLAYING WITH FIRE)

  1. Choose the design – Could be a majestic octopus, a daft kitchen saying, or an abstract face that would make Picasso proud.
  2. Prep the bamboo – Make sure it’s smooth, clean, and ready for its transformation.
  3. Burn, baby, burn – This is where the magic happens. Hours of careful burning, creating depth, texture, and detail with nothing but heat and a steady hand (and several cups of tea).
  4. Let it cool – Bamboo gets HOT. Who knew? (Everyone. Everyone knew.)
  5. Finish with beeswax – Professional, food-safe beeswax to protect the board and make it kitchen-ready. None of your cheap stuff.
  6. Package sustainably – Wrapped with care in organic materials, because what’s the point of using sustainable bamboo if you’re going to wrap it in half of China’s plastic production?
  7. Send it off into the world – Like releasing a particularly flat, wooden child into the wild.

WHY BAMBOO?

Apart from the fact that it sounds exotic and makes me feel worldly despite never leaving Northumberland?

Bamboo is genuinely brilliant. It’s sustainable, regenerating faster than my Netflix queue. It’s naturally antibacterial, so your cheese board isn’t turning into a science experiment. It’s durable enough for proper kitchen work but gentle on knife edges. And it takes pyrography beautifully, creating rich, dark tones that contrast gorgeously with the natural grain.

Also, it’s lighter than traditional hardwood boards, which means when you inevitably use it to gesticulate wildly while telling a story in the kitchen, you’re less likely to cause serious injury.

THE DESIGNS

From the sublime (intricate highland cows with floral crowns, detailed octopi that would make a marine biologist weep) to the ridiculous (Northumberian dinner choices, kitchen humour that’s borderline inappropriate), each design is hand-burned with the same care and attention.

Some are decorative art pieces that happen to be functional. Some are functional pieces that happen to be art. All of them are made with the belief that the things we use every day should bring us joy, not just utility.

WHAT’S NEXT?

More designs. More boards. More burns (hopefully just on the bamboo, not on me).

I’m always working on new ideas, taking custom commissions, and generally seeing what happens when you apply extreme heat to sustainable materials in a controlled artistic manner.

This blog will be a place to share new designs, talk about the craft, maybe throw in some care tips, and occasionally ramble about why traditional skills matter in our increasingly digital world.

IN CONCLUSION

The Northumbrian Burn is about making things properly, slowly, and with genuine care. It’s about sustainable materials, organic packaging, and keeping traditional craft alive. It’s about creating pieces that are genuinely unique, not just “unique” in the way that marketing people use the word.

It’s also about having a laugh, not taking ourselves too seriously, and remembering that at the end of the day, we’re burning pictures into bits of wood and calling it art – which is simultaneously ridiculous and wonderful.

If that sounds like your cup of tea (or your glass of wine, no judgment), stick around.

Welcome to The Northumbrian Burn. Where tradition meets bamboo, and nobody’s using lasers.

— The Northumbrian Burn Made in Northumberland. Burned by hand. Packaged with care. Delivered with love (and no plastic).

P.S. – Yes, I know “pyrography” sounds like something that should be treated with antibiotics. It’s not. It’s just Greek for “fire writing.” The Greeks had a word for everything, didn’t they?

 

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Hello 2025!

silver and gold jewellery

Starting the new year with a little reminder of some of the silver and gold jewellery I made last year. Going forwards I hope to add blog posts as regularly as I can and list more of my products in my BCH shop! I make a lot of bespoke pieces, and if that’s something you are interested in, do take a look at my website where you can see my designs and examples of previous commissions. http://www.birgittebruunjewellery.co.uk

silver and gold jewellery
a montage of jewellery made in 2024
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Jewellery showcase

Jewellery
Delighted to be taking part in this Jewellery Showcase at Forge in London.
This showcase is inspired by Lucie Gledhill, an accomplished jewellery designer renowned for her exquisite chain-making. 18 independent jewellery designers explore and interpret the themes of connections, links, and repetition through their collections.
📆 Open to public 29th October – 20th November
🕣 Visit: Monday – Friday, 10am – 6pm
📍FORGE. 59 Leather Lane, London EC1N 7TJ

 

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🌿 Hello and Welcome to The Illustrarium

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

Welcome to The Illustrarium! I’m Susie – an artist, illustrator, and maker based in rural Devon, where I’m endlessly inspired by the natural world around me. My studio looks out over the beautiful Devon countryside, and it’s from these everyday moments in nature that so many of my pieces begin.

Portrait of the artist inside a decorative hand-illustrated frame with florals, butterflies and botanical motifs.

Every design starts with a hand-drawn sketch – it’s the heart of my creative process. From there, I bring each artwork to life using a mix of watercolour, inks, and gouache, before refining the final piece in Photoshop. I love the rhythm of this process: drawing, painting, layering, and watching an idea slowly blossom into something joyful and full of colour.

My Creative Process

Hand-painted watercolour illustration of pink and yellow alstroemeria flowers beside brushes and a palette

Drawing has always been at the centre of my work. My sketchbooks are full of ideas – some botanical, some inspired by folklore or history, and some simply from imagination. This unicorn sketch is one of those pieces that began as a moment of storytelling on the page.

Colour inspiration usually begins with what I find around me – seasonal flowers, soft winter berries, the explosion of green growth along the Devon lanes in Spring, or a fascination with a period in history. I often mix fresh palettes directly from gathered blooms, exploring combinations until something sings.

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

🌸 Inspiration & My Visual World

I’m drawn to objects and details that hold stories – tiny treasures collected over time, pieces of history, textures, patterns, and colours that spark curiosity.

Bouquet of colourful flowers next to an artist’s colour palette card with paint swatches.

✨ What You’ll Find in My TBCH Shop

Everything you see here is designed by me and crafted with care. Quality and sustainability are incredibly important to me:

  • My art prints are produced using archival inks on beautiful 310gsm fine art paper

  • All stationery and cards are printed on FSC-certified paper

  • And every order is lovingly packaged in eco-friendly materials from my Devon studio

Eco-friendly packaging at The Illustrarium: pink tissue-wrapped parcels with patterned gift tags, twine, and studio tools.

In my TBCH shop, you’ll find a curated selection of illustrated art prints, greeting cards, eco-stationery, notebooks, notepads, bookmarks, and more. I’m also excited to be expanding my homewares selection soon too – tea towels are my first addition and I’m hoping to add cushions, washbags, and aprons featuring my signature hand-painted designs in the near future.

Handwritten message inside an illustrated greeting card, showing the artist’s personal touch.

One of my favourite personal touches is my handwritten message service: if you’d like to send a card directly to a loved one, I can handwrite your note inside.

My hope is that when your package arrives, it brings a small spark of joy to your day – and a touch of magic to your home.

theillustrarium-mosaic-pattern-inspiration.jpg

💌 Stay Connected

You’re warmly invited to visit my website if you’d like to stay connected – and if you join my mailing list, you’ll receive a 15% welcome discount to use here in my TBCH shop, along with early access to new artwork.

https://www.theillustrarium.com/newsletter

Thank you so much for being here and for supporting independent makers.


Susie x

 

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Introducing myself and my handmade products

Woman smiling and holding a wine glass up to the camera

Hi, I thought I should probably introduce myself and tell you a little bit more about my business and how I started it.  For the past fourteen years, I’ve actually had a different business that I started from scratch, as a mobile dog groomer.  I bought my converted van and started up in August 2011.  At the time, I was desperate to get out of my teaching job at the local college.  My business took off far more than I ever thought it would.  However, by 2020 my van was starting to spend more time off the road and in the garage, so I decided that I really needed a second income, so that whilst the van was in the garage generating huge bills I could still be earning money.  That’s the downside to being self-employed, if you’re not working, you’re not earning.  On a weekend away in the New Forest (my favourite place on earth) with my lovely sister, she bought a lovely necklace for herself and bangle for me.  Both were silver, my bangle is set with a large amethyst (my birthstone), and her necklace was made of large, geometric, brightly coloured shapes.  It was those two pieces of jewellery that set me on this journey.  I found myself wondering if I could make something like them.

I did my research and found a course in silver clay with the lovely Emma Gordon and the Silver Clay School.  I did the free pendant challenge – and was absolutely hooked! So I signed up to her course and haven’t looked back.  I absolutely love working with the silver clay.  It can be worked, molded, cut and sculpted just like ordinary clay.  Then when I fire it – I still hand fire with a blow torch which adds a whole new level of excitement to the process as I quietly pray that I don’t burn down the kitchen lol – all the organic clay burns off leaving 99.9% pure, fine silver.

I also love the fact that the silver is recycled from the film and photography industry and there is absolutely no waste.  If it goes wrong during the first stage, I can just roll it up and start again.  If it goes wrong during the dry stage, I can just grind it into powder, add water and turn it into clay or clay paste.  If it goes wrong after I fire it (I have melted one or two pieces), I can send it off to one of my suppliers and they recycle it into sterling silver chains, earring posts, hooks and scrolls.

There is nothing like the feeling of someone liking something that I have designed and created enough to not only part with their hard earned money, but to actually wear it on their person.  It’s amazing and the joy of handmade is that every piece, even if the same design, is different and unique.

I have also now branched out into resin homeware and gifts, which is enormous, messy fun, but more about that in another blog.

Thank you for taking the time to read this and I hope you like my designs.